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Modifying Arpeggios to Add Melody

By Forum-Member Adam Ironside

After you've learnt to sweep pick basic shapes and can play them pretty fast your probably thinking; 'well they are pretty cool but not really musical.' If you dont think like this then your well on your way to being an
uber-shredder, haha, but most of us get bored of playing the same shapes up and down the neck, this is where this lesson comes into play:

**MODIFYING ARPEGGIOS - TO MAKE THEM MORE MELODIC**

[[NOTE - On the video i show you each example, first slow, then fast...]]

 

By adding subtle notes to the standard shapes of the arpeggios you can totally change the feel and sound of it. This can be anything from adding a single note to adding several different notes and techniques which totally reshape the sound of your arpeggio and make it more musical and interesting to listen to. I am going to show you examples of this with the GMajor arpeggio.


Excersise I

This is a standard G Major sweep arpeggio across five strings.

e|------------10h15p10--------------|
B|----------12--------12------------|
G|--------12------------12----------|
D|------12----------------12--------|
A|--10h14--------------------14p10--|
E|----------------------------------|

The G Major arpeggio is a standard three note arpeggio (G,B,D) and is pretty melodic in itself. However this can be made more melodic and interesting by adding the seventh note of the scale to it, an F#.


Excersise II

Add the F# to the G Major Arpeggio and you get a GMajor Seventh (GMaj7). This particular shape requires a tap on the 15th fret on the e string, be careful to make this accurate and fluid first before fast. Here it is...

e|---------------10h14-[15]-14p10---------------|
B|-------------12----------------12-------------|
G|--------11h12--------------------12p11--------|
D|------12------------------------------12------|
A|-10h14----------------------------------14p10-|
E|----------------------------------------------|

So, the GMaj7 arpeggio has four notes to it (G,B,D,F#). This arpeggio gives a unique and interesting sound to your playing and sounds just as interesting slow as it does fast. Here are some more modifications to the G Major Arpeggio...


Excersise III

Now then, excersise three shows us how to play a Gsus2 Arpeggio (GMajor with Suspended second note) which I personally often use in place of a standard major arpeggio as it has quite a unique sound.

e|------------10h15p10------------|
B|----------10--------10----------|
G|--------12------------12--------|
D|------12----------------12------|
A|-10h12--------------------12p10-|
E|--------------------------------|

This shape is very similar to that of a standard G Major shape and all you are doing is replacing the B note with the note which is a scale tone lower, A, which gives you the following three note arpeggio... (G,A,D)


EXCERSISE IV

Excersise IV is an extended six string G Major arpeggio with an added C note which gives it a bit of a lydian flavour. Usually the C note would take the place of the B note making the arpeggio a sus4 (as shown in the excersise V) but here this is not the case as the C note is only played at one oppertunity which makes it even more unusual. This particular apreggio can be fairly difficult to play so start off slow and work your speed and
accuracy up.

e|-----------------------7h10p7---|
B|---------------------8--------8-|
G|---------4h5p4-----7------------|
D|-------5-------5s7--------------|
A|-----5--------------------------|
E|-3h7----------------------------|

This shape also introduces the use of a slide in your playing. Watch the video closely for the stange fingering required to play the note following the slide.


EXCERSISE V

This excersise sees us return to a five string arpeggio formation, this time, as discussed in excersise IV, we are going to replace the B note of the G Major arpeggio with a C note which gives us as Gsus4 arpeggio. The
notes of this arpeggio are (G,C,D)

e|------------10h15p10------------|
B|----------13--------13----------|
G|--------12------------12--------|
D|------12----------------12------|
A|-12h15--------------------15p10-|
E|--------------------------------|

This arpeggio has a very unusual and interesting sound and as far as i am aware is not overly used in rock and metal but fusion players use this shape sometimes.


Okay, so now that you know a few different variations on the G Major
arpeggio you are probably wondering how to link them together. Combining
different shapes gives you a whole wierd and wonderful world of sounds to
explore such as the following example...


EXCERSISE VI

This excersise combines two arpeggios, first a Gsus4 and then the Gsus2. This provides a very unusual sound...

e|------------10h15p10------------|
B|----------10--------10----------|
G|--------12------------12--------|
D|------12----------------12------|
A|-10-15--------------------15p10-|
E|--------------------------------|

The arpeggios has the notes (G,C,D - G,A,D).


Experiment and see if you can come up with your own unique sounding arpeggios.

Finally in this lesson i will show you two examples of how to interlink these arpeggio shapes using various techniques, i hope you have fun playing these, they are pretty flash to watch but also musical.


EXAMPLE I

This example plays through the GMaj7 arpeggio then follows up with a Gsus4 arpeggio which has a nice sliding tap between notes B and C on the e string. This is a really nice sounding melodic lick and i hope it comes in useful
for you.

e|---------------10h14[15]14p10-----------------------10h15[19]s[20]s[19]15p10-----------|
B|-------------12--------------12-------------------13------------------------13---------|
G|--------11h12------------------12p11------------12----------------------------12-------|
D|------12----------------------------12--------12--------------------------------12-----|
A|-10h14--------------------------------14-10h15------------------------------------15p10|
E|---------------------------------------------------------------------------------------|

Nice sounding huh?


EXAMPLE II

This example is a lot more complex than example I and alot more flash to watch but it still maintains musicallity, work hard at this one and i hope it is of use to you!

e|-----------------------7h10p7-------------------------------10h14[15]14p10------10h14s19p15------|
B|---------------------8--------8---------------------------10--------------10---10-----------17-----|
G|---------4h5p4-----7------------7-------------11h12p11--12------------------12---------------16---|
D|-------5-------5s7----------------9---------12--------12----------------------------------------17-|
A|-----5------------------------------10-10h12-------------------------------------------------------|
E|-3h7------------------------------------------------------------------------------------------------|

Well there you go, i hope you found this lesson interesting, infromative and useful and i hope it has aided you in some way.

Adam Ironside


TAB SYMBOLS
h = hammer-on
p = pull-off
[] = Tap
s = slide

 


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